| Name | Thesis |
|---|---|
| Pan,Yun-Ju 潘韻如 | published Reopenning the Ceremony of Parsifal: On the Second Wagner of Badiou
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| Tsai, Cheng-Che 蔡承哲 | published BRAHMA AN ORIGINAL ORCHESTRAL COMPOSITION WITH COMMENTARY
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| Liu, Yi-Lin 劉奕麟 | published Yi-Lin Liu Percussion Recital (with a supporting paper PERCEPTION for Percussion Solo: An Original Composition with Commentary
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| Chou, Hsin-Yu 周欣諭 | published Hsin-Yu Chou Composition Recital With A Supporting Paper: Original Compositons With Commentary
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| Tsai, Yi-Jin 蔡依妗 | published "YI-YI" AN ORIGINAL ORCHESTRAL COMPOSITION WITH COMMENTARY
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| Tsai, Ho-Ju 蔡和儒 | published Imaging National Music, Representing Prosperity: Alternative Modernities of Guoyue in Early Postwar Taiwan (the Mid-1940s to the 1960s)
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| Chen, Li-Hsiang 陳莉湘 | published Li-Hsiang Chen Viola Recital With A Supporting Paper The Forgotten Work, The Faithful Composer: Miklós Rózsa’s Viola Concerto
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| Chen, Wan-Rong 陳婉容 | published Shangri-La or Exoticism: Leehom Wang’s Chinked-Out Hip Hop and the Shifting Identifications
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| Lin, Tse-Yu 林澤宇 | published Tse-Yu Lin multimedia cpmposition recital with a supporting paper "The Already Now": an original composition with commentary
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| Cheng, Nai-Chuan 鄭乃銓 | published NAI-CHUAN CHENG MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPPER “YAN YAN” : AN ORIGINAL COMPOSITION WITH COMMENTARY
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| Lo, Yin-Chun 羅尹均 | published THE INTEGRATION SYSTEM OF BODY MOVEMENT, EMOTION ELEMENTS, AND AUTOMATED COMPOSITION
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| Pan, Chun-Chen 潘俊蓁 | published CHUN-CHEN PAN VIOLIN RECITAL WITH SUPPORTING PAPER ANALYSIS AND INTERPRETATION OF RAVEL’S SONATA FOR VIOLIN AND PIANO IN G MAJOR
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| Huang, Yu-Fang 黃郁芳 | published YU-FANG HUANG PIANO RECITAL WITH A SUPPORTING PAPER EXPLORING ROBERT SCHUMANN’S SYMPHONIC ETUDES: A DIALOGUE BETWEEN POSTHUMOUS VARIATIONS AND THE ORIGINAL ETUDES
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| Huang, Yu-Ting 黃渝婷 | published LISTENING TO THE (SILENCED) 228: ERIC CLARKE'S ECOLOGICAL APPROACH TO MUSIC PERCEPTION AND THE 2008 CONCERT “REBORN BY LOVE”
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| Chen, Jian-Wei 陳建維 | published JIAN-WEI CHEN HORN RECITAL WITH A SUPPORTING PAPER ANALYSIS AND INTERPRETATION OF SCHUMANN'S ADAGIO AND ALLEGRO
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