| Name | Thesis |
|---|---|
| Jou Su 蘇柔 | published JOU SU PERCUSSION RECITAL WITH A SUPPORTING PAPER ANALYSIS AND INTERPRETATION OF TORSE III BY AKIRA MIYOSHI
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| Li, Pei-Yu 李珮瑜 | published PEI-YU LI CELLO RECITAL WITH A SUPPORTING PAPER: DIALOGUE BETWEEN CHOPIN’S G MINOR CELLO SONATA AND THE GERMAN TRADITION
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| Yen. Tzu-Ching 嚴子晴 | published PHYLLIS YEN VIOLIN RECITAL WITH A SUPPORTING PAPER ON THE COMPOSITIONAL CHARACTERISTICS AND INTERPRETATION OF TORU TAKEMITSU'S DISTANCE DE FEE: A MUSICAL COMPARATIVE LINGUISTICS WITH OLIVIER MESSIAEN'S THEME AND VARIATIONS
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| Yu, Shan 玉珊 | published SHAN YU VIOLIN RECITAL WITH A SUPPROTING PAPER-SERGE PROKOFIEV:ANALYSIS AND INTERPRETATION OF VIOLIN CONCERTO NO.1 IN D MAJOR, OP.19
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| Hsiao, Ya-Fan 蕭亞凡 | published PERFORMING DPP: PERFORMATIVE APPROACH TO THE SOUNDS OF DPP’S CAMPAIGN RALLIES 2011/12
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| Chao, Li-Wei 趙立瑋 | published Ether AN ORIGINAL ORCHESTRAL COMPOSITION WITH COMMENTARY
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| Su, Ying-Shan 蘇瑩珊 | published YING-SHAN SU PIANO RECITAL WITH A SUPPORTING PAPER BARTOK'S PIANO SONATA: ANALYSIS AND PERFORMANCE PRACTICE
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| Yeh, Hsuan-Wen 葉軒彣 | published HSUAN-WEN YEH PIANO RECITAL WITH SUPPORTING PAPER: AN ANALYSIS AND INTERPRETATION ON THE CONTRASTING STYLE OF CLAUDE DEBUSSY'S PRELUDES BOOK I
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| Yang, Hsi 楊昕 | published HSI-YANG COMPOSITION RECITAL WITH A SUPPORTING PAPER ORIGINAL COMPOSITIONS WITH COMMENTARY
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| 張友瑞 | published
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| 余琬婷 | published
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| 許瑄紜 | published
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| 葉思吟 | published
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| 陳姵錡 | published
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| 陳奎諭 | published
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| 巫婉婷 | published
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| 何侊倢 | published
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| 蔡侑臻 | published
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| 陳怡如 | published
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| 何品達 | published
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| 吳亞璇 | published
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