| Name | Thesis |
|---|---|
| Yi-Mei Yu 余亦湄 | published YI-MEI YU PIANO RECITAL WITH A SUPPORTING PAPER FROM TCHAIKOVSKY’S LULLABY TO RACHMANINOFF’S “ANXIETY DREAM”: PSYCHOANALYSIS AS MUSICAL HERMENEUTICS
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| Chia-Fang Lu 呂佳芳 | published CHIA-FANG LU PIANO RECITAL WITH A SUPPORTING PAPER：AN ANALYSIS AND INTERPRETATION OF SCHUMANN’S ABEGG VARIATIONS, OP. 1
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| Chia-Yun Lee 李佳芸 | published CHIA-YUN LEE FLUTE RECITAL WITH A SUPPORTING PAPER COMPOSITIONAL INTENTION AND PERFORMANCE PRACTICE IN THE TWO EDITIONS OF BERIO’S SEQUENZA I
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| Chia-Chao Wu 吳佳釗 | published AN INTERPRETATION OF J. BRAHMS’S SONATA FOR CLARINET AND PIANO, OP.120, NO. 2
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| Shin-Yi Huang 黃欣儀 | published Shin-Yi Huang Double Bass Recital with a supporting paper: An Interpretation of Bottesini's Concerto in f sharp minor
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| Li-Wen Lai 賴立文 | published Li-Wen Lai Cello Recital with a supporting paper The Performing Technique and Interpretation on Schumann's Adagio and Allegro
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| Fang-Yu Hsu 許芳瑜 | published SHIFTING NATIONAL IDENTIFICATIONS AND FOLKSONGS’ ORIGINS AND ORBITS: COMPARATIVE STUDIES ON SECONDARY SCHOOL MUSIC TEXTBOOKS OF TAIWAN AND HONG KONG IN THE 1990S
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| I-Lin Liu 劉怡琳 | published I-LIN LIU HARP RECITAL WITH A SUPPORTING PAPER AN ANALYSIS AND INTERPRETATION ON TOSHIO HOSOKAWA'S NEBEN DEM FLUSS FOR HARP
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| Shu-Ping Chou 周書蘋 | published " MOLD ": AN ORIGINAL ORCHESTRAL COMPOSITION WITH COMMENTARY
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