The aim of this course is to offer graduate performance majors necessary tools and directions to engage in an intelligent discussion of their repertory, skills that they may apply to their term projects, thesis writing, and lecture recitals. We will have two invited music scholars coming to discuss the ways that they phrase they theories arguments. The selected sample writings will enable us to see the variety of ways that an author may use to approach a music work.
In addition to our weekly discussion, short assignments, and quiz(zes), each student will function as a discussion leader in a class session; sign-up sheet will be distributed by week 4. At the end of the term, the class will be divided into several groups. Each group will present a chosen article or book chapter, discussing how the author’s approach to music and the pros and cons of this writing relate to the principles and basics that we have discussed earlier in the semester. Syllabus